The Pre-Raphaelite Brotherhood began in 1848 as a secret group of artists: Dante Gabriel Rossetti, William Michael Rossetti (his brother), Thomas Woolner, William Holman Hunt, Frederic George Stephens, James Collinson, and John Everett Millais. They were revolting against the current art establishment, mainly the British Royal Academy and their formulaic approach to art instruction. Though the Pre-Raphaelite’s goal was to remain secret, the meaning of the initials “PRB” inscribed on their paintings became public (possibly leaked by Dante Gabriel Rossetti).
The Brotherhood’s early doctrines were expressed in four declarations:

  • To have genuine ideas to express;
  • To study Nature attentively, so as to know how to express them;
  • To sympathise with what is direct and serious and heartfelt in previous art, to the exclusion of what is conventional and self-parodying and learned by rote;
  • And, most indispensable of all, to produce thoroughly good pictures and statues.

The Pre-Raphaelites created art that is known for its brilliance and vividness of color. They achieved this by painting white backgrounds that they would later paint over in thin layers of oil paint. Their work was meticulous and their subject matter drew inspiration from myths, legends, Shakespeare, Keats, and lovely long haired damsels that we now equate with Victorian beauty.
There are a few artists that were not members of the PRB, but who are often described as “Pre-Raphaelite” because of the pre-raphaelite influence seen in their work, or because of their close association with certain members of the PRB, namely Dante Gabriel Rossetti. These artists include William Morris, Sir Edward Coley Burne-Jones, Sir John William Waterhouse, Evelyn De Morgan, Arthur Hughes, Ford Madox Brown, and Frederic, Lord Leighton to name a few.

flamingjune pre-raphaelite-art-pre-raphaelite-art-23219457-1600-1200

Again looking into colour, in all the paintings mostly its all about the beauty captured within the piece, the things that make the images aesthetically pleasing to look at. The colours in most of the Pre Raphealite work I found have been bright, easy on the eye colours. Everytime starting with a blank canvas like I am and coming out with something so beautiful is amazing. But is this beautiful to everyone?


2 thoughts on “Pre Raphealites & Research –

  1. I think it is a classic conception of beauty. But we cannot say that beauty its the same for all the people. For someone would be more beautiful the paintings of lonely and sad people, by the other side, others can be atracted by paintings of party, showing the movement and the life with brilliant colors.

  2. Pingback: St Mary’s Church Ewell | Rocking Surrey

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